Music has the power to inspire, to depress, to lift up, to tear down. But most importantly, it has the power to express oneself and evoke emotions in a way that no other medium can. So I post this remix (above) I recently did of music from Clyde’s Revenge not to show off my skillz or promote a fifteen-year-old game, but to express the overall emotion of the rest of this post in a way that my mere words cannot. Think of it as a film score for this post. Ignore the visuals (which mostly function as a placeholder), and listen as you read.
As evidenced by my most recent post, this past General Conference saw a lot of talks where the brethren urged young men to stop screwing around and get married. I really tried to take this to heart, and immediately made plans with the only girl that a) I had recent contact with, and b) wasn’t either in a relationship or related to me. Unfortunately, that girl happened to be the same one mentioned in the middle of my infamous “confession” post, and this second attempt (just to be friendly again; I didn’t try anything physical other than a hug, I only bought her dinner and the movie, and I mostly listened to her complain about her past boyfriends) ended just about as well as the first. In fact, the outcome was exactly the same the second time around. In other words, I had to do all the work, and even little acts of charity (like me running to the gas station to get her an apple juice when she was sick, so she could perform better in the show we’re doing, since she had previously specifically stated that apple juice helps her feel better when she’s sick) turned into her figuratively spitting in my face (when she left the juice sitting in the dressing room, completely untouched, even after she left). We were going to watch her favorite movie at her house last night, but at the last minute she suddenly had FHE to go to. Deductively, if FHE was actually an important part of her life and not just a convenient excuse, she would have brought it up when I asked if Monday was OK the first time. Or the second time. Not in a text a few hours before.
In retrospect, I should have seen it coming. Nothing had happened in her life to change her fundamental nature. I just wish she had the guts to, you know, clearly communicate her disinterest instead of weaseling around it. But I’ve had that complaint for a very long time now, and I can’t change the misguided notion that most girls have that guys don’t want to hear direct language about how they (the girls) feel. Being one of the guys that falls into the “creepy” camp more often than not, I can tell you right now that the best way to reduce the number of creepy guys in the world is for girls to be direct. True, some of the creepy guys have horrible intentions, but a fair number of them are normal guys who, through no real fault of their own, lack some social skills. Some of them are just extremely optimistic and take what girls say at face value just so they can think they have a shot (i.e. “Sorry, I have FHE” three hours before a planned activity which isn’t even really a date would sound like, “Oh, she’s got FHE; well, I’ll ask again later” instead of “She’s clearly not interested, since that excuse is pretty lame”). If girls would speak clearly, then this misguided optimism would slowly dissipate in the face of truth, causing some of these guys to try to improve themselves instead of pursuing a phantom girl that really loves him but has convenient, pressing business to always attend to. Or even worse, being confronted with so many “maybes” instead of some clear “nos” makes a guy doubt his own judgement, which can either lead to that misguided optimism, or extreme cynicism. “Maybe” will always sound like “no” no matter what it really means. Anything other than an unqualified “Yes!!!!11!” and a big hug, a handhold, and a call the next day from the girl, will mean “no.” So the creepy guy will try to inspire that response, trying with increasing desperation (since he has no idea what he’s doing, and if he hasn’t learned by dating age then society sure isn’t going to teach him), but still just getting “maybes” out of everyone because no girl has the truly giving heart to teach the stupid guy what he needs to know, since she’s afraid he’ll go after her. And being seen in a relationship with a creepy guy ≠a situation any girl wants to be in.
I’m sorry, but the whole “creepy” thing is a pet peeve of mine. I said it in that post I linked to earlier that the difference between “creepy” and “romantic” is often in the eye of the beholder. And more often than not, it’s disconnected from reality. I know a lot of creepy guys are legitimately skeezy: date rapists or whatever. But many are not even close. Many can’t even fathom the idea. (To be a date rapist means that you at least go on dates.) Many creepy guys have a heart of gold, but nobody gives them a chance because of some superficial failing, or because they give off the wrong “vibe,” or because they don’t know that kissing before the third date is OK if dinner was sufficiently extravagant, while saying “I love you” in a month ending in “R” can only be done on alternating Thursdays unless the moon is waning. Or even more obscurely, whenever the girl won’t find it off-putting. While some dashing, charismatic gentlemen are the ones that beat their girlfriends behind closed doors, simply because they have the power to do so. In fact, I would dare say that most wife-beaters are absolute gentlemen in public. I don’t have the research on-hand to back me up, but I would be extremely surprised if that weren’t the case. After all, to become a habitual girlfriend/wife-beater, one must first be able to attract a woman to the point that he can beat her behind closed doors and she won’t immediately break it off or seek help from authorities. And if creepy guys are known for anything, it’s certainly not for being able to hang on to any girl for an extended period of time.
Whenever I hear girls complain about how they have sooo many single girl friends who would love to be asked out but sit at home all the time, I always have to suppress a cynical laugh. As if being a guy meant that you held ultimate power over who loved you. People in general love to play the victim when it’s an impersonal affair (i.e. “Nobody likes me!”) but when any first-person evidence comes up to the contrary (i.e. “You like me? Ew!”) it’s easy to dismiss and go straight back to the “Nobody likes me!” mantra. And this happens quite a lot: a guy sees a girl that perhaps is one of those “girls that are always alone” off to the side at a singles’ activity or something. He tries to strike up a conversation, but gets a cold shoulder. Or even worse, they (seem to) hit it off, only for her to weasel out of a first (or second, or third) date, for no reason discernible to him, other than “Well, I guess I’m a creepy guy. Wish I knew why.” And then the girl complains, “Nobody likes me! I haven’t been on a date in forever! Well, there was that time when Brian asked me out, but ew!” No concrete reason, just “Ew!” And all the girl friends nod, because they also think “Ew!” when it comes to Brian. Note: Brian isn’t anyone specific. In fact, I don’t think I currently know any guys named Brian. Well, besides my boss, but he certainly doesn’t fit into this story.
I’m not saying that a lot of girls aren’t being asked on dates. I know it’s a serious problem. But it’s not a gender-specific thing! There are just as many guys who are getting rejected every day (or aren’t asking for fear of rejection, usually of the confusing weasely variety) as there are girls wondering why nobody asks them out. And there is no greater contempt, no vehemence so directed at a general population, than that of girls towards guys with a fear of getting their hearts ripped out. Hot damn, that’s cold! In short, there’s a lot of anger, frustration, and miscommunication on both sides. It’s not the fault of any one gender. Clarity is the key, people.
Now that I’ve ranted on that soapbox, allow me to go back to my initial premise, and the reason I posted that Clyde’s Revenge remix as a score for this post. This post doesn’t matter. Anyone who reads this post will either sympathize with my viewpoint because they already agree with it, or find a way to justify to themselves why I’m wrong, or why it doesn’t apply to them, and therefore they don’t need to change anything. It would make my day; heck, it would make my year, if this post actually inspired somebody to go out and change their life. But I also know it’s not going to happen. And even if it did, it certainly wouldn’t change anything on a grand scale. Which means I’m doomed to wander through life, going on dates but not dating, all because I have some “creepy” quality that nobody is willing or able to point out to me in a way that I understand, posting repetitive blog post after repetitive blog post about how many times I’ve beat my head against the wall. But since that’s how it’s been for so long, it’s harder to get worked up about it. It’s hard to imagine that life could be any different.
It’s a walk in the rain. You can see the warm glow coming from windows all around you, of happy couples and families. Each house with a lock on its door. You don’t even feel the rain anymore. You’ve been wet so long that you can’t even remember how it feels to be dry, though on occasion you imagine it would be nice. But most of the time you don’t even notice it, nor the chill that has crept into your bones and refuses to leave. You keep walking, because stopping would be even worse. And even the wretched masses won’t huddle together for warmth, for the hypocritical fear of being seen with some bum on the street.
It’s miserable, but it’s life. It’s cherry rain.
Since I’m still trying to get my equipment replaced before I can redo my more serious projects, such as the ABC Monsters album or commercial music, I did another remix from Clyde’s Revenge and wanted to share it with people. It’s based on this MIDI file:
I went more rock than synth this time. Take note: the strings would sound better if I had the sound library I’d been using this past year, but for what it is I think it’s fun. The title is based on the background of the level in the game. It repeats once and then fades out.
I’ve got no philosophical discussion or newsworthy happenings this post. Enjoy this remix anyway!
If you’re really bored, you can see what level this remix is from:
Or perhaps the level that the previous remix is from:
One of the most common comments I’ve had on music I’ve written in the past has been “Wow, that sounds like it’s right out of a video game!” or “It makes me think of Sonic the Hedgehog for some reason” or some variant thereof. This criticism has been one that I’ve actively tried to avoid (as most people tend to not take video game music seriously or hold it in high esteem), yet since I work in an electronic medium and have little access to real live instruments, it’s something that I’m basically going to have to live with until I can afford high-end sound libraries (I was using some of Nate Drew’s recently, but they all got stolen, so it’s going to be awhile).
In the meantime, I’ve resolved that, if I’m limited by funds and libraries and therefore can only write video game music, I might as well try to make it the best video game music it can be (for purposes of this post, when I refer to video game music I don’t mean the full orchestral scores you get out of Halo or whatever, but the more electronic sounds associated with games like, well, Sonic the Hedgehog). And even in that medium there is much that can be done to elevate music above the mediocre or utilitarian. Consider the following: back in the mid-90’s, there was a DOS game released called Clyde’s Revenge. It was a typical sidescroller of the time and the game itself, while fairly fun, was nothing particularly exciting or groundbreaking. The music was a general MIDI soundtrack done by a guy named Garret Thomson, and a typical track would sound like this:
It’s kind of funky, but nothing really to write home about. Now compare it to a remix I did in 30 minutes, using the same MIDI file:
Still video game music, still using virtually the same notes even, but the latter is something I’d put on a playlist and listen to on its own, while the former is fairly blah. And it’s that skill I can work on and even market: writing music that can both enhance a game and stand on its own.
In conclusion, I don’t really have a though-provoking or controversial point regarding the state of video game music or my skills as a composer. I just did this remix and liked it, so I wanted to share it. That is all. Enjoy the Magnets!